... in Brooklyn!
Bev has decided to wear an asymmetrical fascinator to celebrate Kate and Wills' big day, while Mary opted for a hat with a little tropical flavor.
Cheerio!
(By the way, this wasn't an easy photo to get:)
Source: http://www.prettyinthecity.com/blog/2011/4/29/its-a-royal-affair.html
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'It's very much the sort of album a pop star makes when she doesn't feel like she has anything to prove,' one critic writes.
By Jocelyn Vena
Beyonce's <i>4</i>
Photo: Columbia
Although Beyoncé's latest album, 4, was still weeks from its official release date, on Wednesday it was leaked and quickly caused a stir on the Internet, prompting fans and critics to weigh in on the singer's first new album in nearly three years.
So far, B's promo for 4 has been fueled by the release of tracks like the snarling "Run the World (Girls)", the track "Best Thing I Never Had," and the emotional "1+1." But now that all of the tracks are out there on the Net, Beyoncé's album is up for debate.
The Atlantic compares her latest to her last album: "In between, there's an unmistakable, if gradual, turn from melancholic top 40 ballads to the confrontational snap of military drums and giddy proclamations of love. Is this I Am ... Sasha Fierce part 2? Not quite. The course of 4 documents a progression, a maturation, of Beyoncé's worldview."
Rolling Stone observes, "Beyoncé's new album, 4, is a change of pace for the R&B queen ... 4 is a more relaxed, personal set that emphasizes ballads over bangers and showcases the singer's nuances; it's very much the sort of album a pop star makes when she doesn't feel like she has anything to prove."
Ology.com gives Beyoncé credit for working with so many producers on the album, but making it all sound "cohesive." "It stands quite easily as Knowles' most vibrant album; not saying it's her best (B'Day still holds that title), but it begs to be performed live in front of hundreds of thousands of screaming fans unlike anything else she's released yet."
Fans seem equally opinionated — and enthusiastic — about the album, which officially drops on June 28.
"This album is so not her, she took chances, went off in a new direction as far as sound, her vocal techniques are off the charts on this album," Lee Joseph Chaisson wrote on MTV.com. "She brought it vocally; the sounds are so uniquely different, her whole approach."
"I've heard the Album...The **** it BANGIN!" Oren Acquirestino added. "Beyonce's really really singing on this album."
B's most devoted also took to her Facebook page to put their two cents in. Tatyana Krasko wrote, "Beyonce thanks for great work...Album '4' it's amazing... I love Beyonce."
Another fan, Sunny Lochab, gave the singer props and said he was buying the album regardless of the leak. "I downloaded it. I couldn't help it - everyone was talking about it! and I completely love it - I'll be buying it too to show love! you show true growth on this album...it's ALL love."
Have you heard Beyoncé's album? Tell us in the comments!
Related ArtistsSource: http://www.mtv.com/news/articles/1665460/beyonce-4-reviews.jhtml
It's 'definitely one of the stranger pieces' on display, Rock and Roll Hall of Fame curator Jim Henke tells MTV News.
By Jocelyn Vena
Lady Gaga at the 2010 VMAs
Photo: Kevin Mazur/ Getty Images
Oh, that meat dress! Nearly a year after Lady Gaga wore it at the MTV Video Music Awards, the costume made of various cuts of meat that designer Franc Fernandez and stylist Nicola Formichetti put together is still making headlines.
On Thursday (June 16), that dress will join the "Women Who Rock: Vision, Passion, Power'' exhibit at the Rock and Roll Hall of Fame in Cleveland, where it will sit on display along with Gaga's childhood piano and Armani Prive orbit gown, which she wore to the 2011 Grammys, until February 2012.
"I was talking to Lady Gaga's managers, and this is probably around November [of last year], and basically talked about different things, and we talked about the meat dress and we thought it would be great to add it to the exhibit just because of all the notoriety it has, so that's basically how it came about," RRHOF chief curator Jim Henke told MTV News. "We thought the meat dress would really be cool."
So, how will the folks at the Rock Hall keep it fresh until it wraps up its stint there? "It's going to be in a case and we are putting some canisters in there to control the humidity, and then we have this other canister that soaks up the glutens," he explained. "But it's in a sealed case and we have the gels to control the environment in there."
However, it took some work to get it to the point where it can hang around the Rock Hall along with a number of other high-profile memorabilia without seeming super-gross. Henke explained, "We went back to Franc Fernandez ... ultimately what we decided to do, we sent it to a taxidermist, they put it into a meat locker and then we started working on it and created this [chemical] solution and treated it with that.
"And then they had a body form, and when it was still wet, they put it on the body form and then it dried on there," he continued. "And then they had to do a little bit of painting to bring it back and give it a little bit more color."
Gaga hasn't been shy about making the dress into jerky or wanting to have her extensive wardrobe in a museum, as she shared on "The Graham Norton Show." "I keep everything and dream of having a museum of all my clothes. I have an archive house for all my clothes," she said. "[The dress has] been jerked. It stank. It was fabulous. I never want to talk to anyone at those big celebrity functions because I feel awkward, and it was great — because it stunk, I didn't have to talk to anyone."
Having the dress in the exhibit is quite an honor and it's an interesting piece, but Henke notes this isn't the most bizarre exhibit at the RRHOF. "Definitely one of the stranger pieces," he laughed about the dress, adding, "There are some other weird things. We actually have [pioneering radio DJ] Alan Freed's ashes."
Related Photos Related ArtistsSource: http://www.mtv.com/news/articles/1665885/lady-gaga-meat-dress.jhtml
Source: http://www.mtv.com/overdrive/?artist=1236911&vid=332332
Charlies Angels Charlize Theron Chelsea Handler Cheryl Burke
Source: http://moviesblog.mtv.com/2011/06/29/harry-potter-world-cup-cedric-robert-pattinson-narcissa/
Lindsay Lohan Free Again…Right Before 25th Birthday
Actress Lindsay Lohan is free to leave her home after service 35 days of house arrest. The actress served her home confinement at her California [...]
Lindsay Lohan Free Again…Right Before 25th Birthday Stupid Celebrities Gossip Stupid Celebrities Gossip News
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Source: http://www.mtv.com/overdrive/?artist=1270&vid=285678
'Look that's my chin! That's my jaw!' songstress tells MTV News of her Madame Tussauds likeness.
By Jocelyn Vena
Alicia Keys unviels her wax figure at Madame Tussauds in New York City
Photo: Getty Images
NEW YORK — Alicia Keys famously sang about the "spirit of New York" on her hit song with Jay-Z, "Empire State of Mind." Now the New York native is part of an exhibit with that name at Madame Tussauds in Times Square, and she couldn't be prouder to have her wax figure stand alongside those of Regis Philbin, Woody Allen and Frank Sinatra.
"I actually think it's really, really good!" she raved to MTV News about the likeness. "I was looking close up: It's like my eyebrows are for real, and it's like my eyes are for real, and the bone structure of my chin, like, 'Look, that's my chin! That's my jaw!'
"It's incredible. It's really incredible, and I think it's so cool to be a part of the New York City part of the exhibit," she added. "I was born and raised here, this is my home, so it's so perfect."
It's a particularly big day for Keys, as it was just announced she's producing the Broadway play "Stick Fly." Keys said she can't believe she has her hand in something that will be playing on the Great White Way.
"The piece is really about this beautiful African-American family in Martha's Vineyard, and it is so deep," she said of the play by Lydia R. Diamond. "It's about all the secrets that families have, and it's funny. What I love about it is it bypasses everything, and it's all about family."
The singer, who is celebrating the 10-year anniversary of her breakout album Songs in A Minor, says that, as a New Yorker, getting on Broadway is living the dream. "Broadway is something that's played an integral part in my life. It's been something that I've experienced my whole life," she said. "I've always wanted to be a part of it. You haven't seen this family before on Broadway. It's universal and at the same time unique."
Related ArtistsSource: http://www.mtv.com/news/articles/1666558/alicia-keys-wax-madame-tussauds.jhtml
Source: http://www.mtv.com/overdrive/?artist=1236911&vid=391548
Anna Paquin AnnaLynne McCord Anne Marie Kortright April Scott
Their super-hot single "Who Says" is already a platinum hit and now fans can hear the rest of what Selena Gomez & The Scene have to offer as their highly-anticipated album, "When The Sun Goes Down," makes its way to stores and online today (June 28)!
Elated about the record release, the Disney darling took to her Twitter page to gush, telling fans, "Hey guys!! #WhenTheSunGoesDown is available for purchase now on iTunes. So excited to share it with you!"
Meanwhile, nearly 19-year-old Selena has opened up about the pressures to amp up her sex appeal as she gets older, telling Time, "...of course I'm becoming a woman, and I want to explore that side of myself but at the same time, I have to be true to those people that have been with me. I still get awkward if I'm in a bikini so I don't think I'll be doing anything too drastic anytime soon."
Gomez also says that, while young male stars don't have to endure that same pressure, she wouldn't have it any other way, as she explained, "I have it better. Sometimes fans for male pop stars or actors can be a little crazy. I was that way with Jesse McCartney, and N'Sync. But I could probably have lunch with every single one of my fans. I like that I don't seem unapproachable and that they're not trying to get with me."
Source: http://celebrity-gossip.net/selena-gomez/selena-gomez-pressures-female-stardom-519023
Cameron Diaz Cameron Richardson Camilla Belle Carla Campbell
Source: http://www.mtv.com/overdrive/?artist=3213641&vid=516772
Source: http://www.mtv.com/overdrive/?artist=1236911&vid=455581
We ask 'Platinum Hit' judge about the less-than-stellar credits in her catalog.
By Jim Cantiello
Kara DioGuardi
Photo: MTV News
In her decade-plus career, Kara DioGuardi has helped write some of the biggest hits for artists like Kelly Clarkson, Pink, Cobra Starship, Carrie Underwood, the Pussycat Dolls and countless others. But when you're an in-demand pop songwriter and you're churning out tracks at a breakneck pace, they can't all be winners. Hell, even John Lennon and Paul McCartney published a few turkeys.
Lucky for fans, DioGuardi's sense of humor is just as strong as her sense of melody. When stopping by MTV News to promote her Bravo reality competition "Platinum Hit," the former "American Idol" judge was more than happy to dish about some of the crazier credits on her otherwise-sparkling résumé.
"No Boundaries"
Sample Lyric: "You can go higher, you can go deeper/ There are no boundaries above or beneath ya."
Backstory: Kara's two-season run on "American Idol" as "the fourth judge" wasn't as well-received as she'd hoped, but nothing stung more than the flak she got for co-writing the season-eight winner's song. In her recent book "A Helluva High Note," Kara compared Kris Allen and Adam Lambert's finale performances to a plane crash.
Kara's Take: "The song that almost ruined my career! Let me tell you what really happened: I wrote that song for a girl, and when it went into the male register, it was a nightmare. Certain songs don't translate," DioGuardi admitted, adding that her finale half-naked sing-off with "Idol" reject Bikini Girl helped redeem her status with TV critics. "When your songwriting is really bad, just put a bikini on," Kara joked.
In the End: Kris Allen became the first "Idol" winner to drop the "victory song" from his set list during the "Idol" tour. Last fall, he debuted a tongue-in-cheek "reggae" version of the song in front of Entertainment Weekly's cameras.
Lindsay Lohan's "Confessions of a Broken Heart (Daughter to Father)"
Sample Lyric: "Daughter to father, daughter to father/ I am broken, but I am hoping!"
Backstory: After the platinum success of Lindsay's debut album, sparked by hit single "Rumors," Sony rushed Lohan and DioGuardi back into the studio to record a follow-up full-length, A Little More Personal (Raw). The kick-off single for album number two was a dark, autobiographical tune about fatherly abandonment.
Kara's Take: "If you solo the vocals you'll hear race cars, because we brought the studio to [Lindsay's] trailer on 'Herbie Fully Loaded.' I'm not kidding! She had no time to do the record, so she would be on her lunch break, and I'd be like, 'Throw that thing down your throat and get over here, 'cause we got to finish these vocals!' So I sat for 14 hours on the set and would grab her for, like, 10 minutes at a time. The poor girl. That's the reality of young Hollywood. When they're hot, they're worked to death. It was 18/20-hour days. ... And I swear: 'Vroom! Vroom!' You can hear it in the back."
In the End: Fans were less enthused with Lindsay's airing out of the family's dirty laundry. The song stalled at #57 on the Billboard Top 100 chart, and no other singles were released. A Little More Personal (Raw) sold half as many units as her first foray into pop music, and Lindsay's third album has been shelved indefinitely.
Katharine McPhee's "Open Toes"
Sample Lyric: "I'm lovin' these sling-back shoes/ I like the way they stay loose/ I could wear them all day and listen to the click-clack/ Shoes like this make me hate flats."
Backstory: In addition to Kat's successful single "Over It," the season-five "Idol" runner-up's eponymous debut contained a bizarre R&B party banger dedicated to open-toed footwear. Seriously.
Kara's Take: "You know what? I have to tell you, I just edited it. ... Sometimes you get writing credit ... " DioGuardi trailed off, embarrassed. "For instance, if you don't have the whole idea, but someone brings you a song and says, 'We really love this song. Can you help make it a little better?' you probably don't want to say, 'Don't write about open toes, because people will think about fungus and weird things on toes and stuff.' So I was like, 'Well I'll just fix it a bit.' I just totally put those [co-writers] under the bus," Kara winced.
In the End: Katharine's pop music career quieted down as her acting career picked up. She's starring in the highly anticipated fall NBC show "Smash," executive-produced by Steven Spielberg. Meanwhile, Kara and Katharine remain close friends. DioGuardi gushed, "I love Katharine McPhee, 'cause whenever I do a charity event, she is my go-to girl and she always shows up and sings a song. And it's not 'Open Toes,' " she said with a knowing wink.
Do you have any favorites from Kara's catalog? What do you think of Kara's behind-the-scenes dirt? Leave a comment below!
Related ArtistsSource: http://www.mtv.com/news/articles/1666503/kara-dioguardi-hits.jhtml
MJ classic is mashed up with the Yeah Yeah Yeahs' 'Heads Will Roll' for post-Super Bowl episode.
By Aly Semigran
"Glee"
Photo: FOX
Madonna, the Beatles, the Rolling Stones and now, finally, Michael Jackson. The cast of "Glee" has covered plenty of icons during their first two seasons, but it's taken 33 episodes to get around to the King of Pop.
With a huge catalog of Jackson songs, the singing, dancing students of McKinley High paid homage to the late singer with one of his biggest staples (and, arguably, the greatest music video of all time) with their take on "Thriller."
The groundbreaking single from Jackson's best-selling album of the same name was mashed up with the Yeah Yeah Yeahs' "Heads Will Roll" for the post-Super Bowl episode (titled "The Sue Sylvester Bowl Shuffle"), featuring a zombie-fied "Glee" cast.
Bound to become a smash all over again (though with its nonstop rotation at Halloween parties and wedding receptions until the end of time, it's never truly gone away), here's a brief history of the dance/pop classic.
Released on January 23, 1984, "Thriller" was the seventh, and final, single to be released from Jackson's smash record. According to the RIAA, the album (released by Epic Records) has gone gold 29 times, narrowly edging out the Eagles' Greatest Hits 1971-1975 for the title of best-selling album of all time.
In 2009, MTV News estimated that the Thriller album was poised to go triple diamond, meaning 30 million records sold in the U.S. alone.
After Thriller's other singles (including "Billie Jean," "Beat It" and "Wanna Be Startin' Something") dominated the charts, it was time for the spooky, undeniably original track to take over. The song "Thriller" also appeared on many of Jackson's other albums, including the compilations HIStory and Number Ones.
Clocking in at a little under six minutes (though the radio edit was closer to four-and-a-half), the song features pop-music mainstays like synthesizers but shakes things up with its spooky sound effects, including creaking floors, howling and thunder.
The song was produced by Quincy Jones and written and composed by Rod Tempterton and spent 14 weeks on the Billboard Hot 100, peaking at #4.
But it's the music video for "Thriller" that truly made it the phenomenon it was in the '80s and continues to be today. Less a music video than a mini-motion picture, the video (over 13 minutes long and directed by John Landis) won three MTV Video Music Awards and has been named the best music video of all time by many outlets, including VH1 for the special "VH1: 100 Greatest Videos."
The chiller features Jackson in that iconic red leather jacket on a date with his girlfriend (played by Ola Ray) before things go terribly awry. After all, as Jackson (whose disclaimer at the start of the video reads, "This film in no way endorses a belief in the occult") sings in the opening line, "It's close to midnight and something evil's lurking in the dark." Cue werewolves, zombies, Vincent Price's soliloquy and one of the most memorable dance sequences ever.
The video was (no pun intended) a monster hit. As the Los Angeles Times notes, "At the height of the song's popularity, MTV would run the 14-minute 'Thriller' video twice an hour."
Choreographed by Jackson and Michael Peters (who, as the LA Times also reported, appears in the video as one of the zombies) and with makeup by Oscar-winner Rick Baker (also an undead "Thriller" extra) was made with a huge budget of an estimated $500,000.
Still, the efforts paid off. Landis (who told the "Today" show back in 2009 that no one wanted to give them the funds to make the risky vid) made the accompanying 45-minute documentary about the venture, called "The Making of Thriller." Featuring the behind-the-scenes wizardry, as well as the music video in full, it would go on to move more than 10 million copies.
Since then, the signature song and video have seen their share fair of tributes in movies (notably in the 2004 comedy"13 Going on 30") and TV ("South Park," "Family Guy," "30 Rock," among others), not to mention the countless flash mobs that have gone viral. (Remember the prisoners in the Philippines who became overnight phenomenons on YouTube?)
Even with the "Glee" number, this likely won't be the last incarnation of "Thriller." Billboard reported in October that a "Thriller" film is in the works. With a plot allegedly revolving around Price's narration, Kenny Ortega, who directed Jackson's last effort, "This Is It," will reportedly helm the project.
Since Jackson's untimely passing on June 25, 2009, the song and video's legacy continue to live on. In the week following Jackson's death, "Thriller" was the best-selling track in the U.S., with sales of 167,000 copies on the Billboard Hot Digital Singles chart.
Then, in December 2009, "Thriller" was the first music video to ever be inducted into the National Film Registry by the Library of Congress. It seems "no mere mortal can resist ... the thriller" after all.
What did you think of the "Thriller" mash-up on "Glee"? Let us know in the comments!
Related Videos Related ArtistsSource: http://www.mtv.com/news/articles/1657395/glee-thriller.jhtml
Brittany Lee Brittany Murphy Brittany Snow Brittny Gastineau
Source: http://moviesblog.mtv.com/2011/06/27/brave-trailer-pixar/
I'm here! I'm here! And I saw my first gang-banger get arrested yesterday so I feel like a total Angeleno.
I'm getting ready to go to the gym (again, like a total Angeleno!) so I will update later about my run-ins with Alexander Skarsgard, Pauly Shore, and Jeremy or Jason London (I'm not sure which one it was and seeing if I could force him to do drugs to find out seemed unfair. Besides, as it turned out, he was telling the truth?)
Anyhoo, I've got a lot to tell you about gardening! (Did you know if you get dirt wet it turns into mud? Yuck.)
And bumpers! (They don't bump off anything... they go, "Scraaaaaaaatch!")
And there's probably more but, again, I have to go because I have to get to the gym!
Source: http://www.prettyinthecity.com/blog/2011/6/9/los-angeles.html
China Chow Chloë Sevigny Christina Aguilera Christina Applegate
But is it here to stay? Our music-industry experts weigh in.
By Akshay Bhansali
Ke$ha
Photo: Andreas Rentz/ Getty Images
In 2010, pop princesses, R&B icons and chart-dominating newcomers all danced to the same beat. Not only did dance music go pop, but pop music caught the club-music bug.
Between Katy Perry's "Firework," Ke$ha's "We R Who We R," Rihanna's "Only Girl (In the World)," Enrique Iglesias' "I Like It," Usher's "DJ Got Us Fallin' in Love" and "OMG" and countless other singles, established artists definitely looked to dance beats for surefire hits. And two of this year's biggest success stories in music were Jason Derülo and Taio Cruz; could there be a soul left in this country who hasn't heard "Dynamite" or "In My Head"?
The love went both ways, with dance music's biggest stars finding mainstream success this year. Dance-music maestro deadmau5 took up house-artist duties at this year's VMAs, and Swedish House Mafia and Usher teamed up for a medley of their gems at the American Music Awards.
So how did this happen? We caught up with some music-industry experts to get their takes.
"You definitely saw tempos go up this year," Jon Caramanica of The New York Times told MTV News. "And I think what you had are a lot of producers who are really familiar with nightclub stuff. They are familiar with Europe. Things are happening on a more global scale now."
"I think everything from Europe, and sometimes even Asia, it comes to America, and we just adopt things a little bit slower," said Jared Eng of JustJared.com. "I think it was just a change. People like different types of music at different times. And dance was of this moment."
Noah Callahan of Complex magazine added: "I think 2010 saw the merging of the pop and dance genres. Pop artists realized that there were best practices that could be borrowed from dance music. And, ultimately, [all] pop music that has been made in the past 20 years had ended up being remixed for the club by dance artists. I think they basically just cut out the middleman and went straight there."
Dance music being introduced into the hip-hop and R&B realms was particularly notable this year.
"I think David Guetta kind of at the end of last year and the beginning of this year spearheaded it," said freelance writer Julianne Escobedo Shepherd. "He produced a lot of tracks. I think as trends go, people revile 'unst-unst.' But it's just coming back around. Big-room techno was a way for people to get decadent in a year that no one could get decadent."
"You have someone like will.i.am, who's like, 'Well, I spent all this time in Ibiza, and this is what they are doing,' and he wants to find a way to bring that into his music," Caramanica said of the Black Eyed Peas mastermind. "R&B especially became dance music. And especially with your Jason Derülos, Taio Cruzes. Guys like that would have literally been blocked at the border two years ago. That would not have made it through customs. And now all of a sudden they have #1 songs. I think will.i.am had a lot to do with that last year."
Elliott Wilson of RapRadar.com added: "It's actually even affected hip-hop. I was talking to Q-Tip, and his next record, I feel like that's gonna kind of go in that vein. I know that was also Jay-Z's thought process with Blueprint 3 at first, that he wanted to make a little bit more of a world music [vibe], a little more dancey. I think the kids today want to go to the clubs. They wanna have a good time. They wanna dance. So I think the artists of today are trying to kind of feed that audience."
"I think it's caught on this year because the people who've done it have been successful," offered Clover Hope of Vibe magazine. "Like 'OMG,' with usher, he didn't have success until he made a dance record. He had 'There Goes My Baby' and these really, like, adult-contemporary records that didn't really catch on. And then once you see that everybody is doing it and that people are liking it, they are like, 'OK, let me just try this out.' It's like Auto-Tune. Like, 'Let me see what I sound like on a record by David Guetta.' They end up liking it and doing more of it."
So does the club-music trend have staying power. According to our tastemakers, not so much.
"I do think it's a blip," Caramanica said. "I don't think that's gonna be something that lasts in America. I think this is gonna be a moment we'll all look back on and go, 'Wasn't that weird when Jason Derülo and Taio Cruz had #1 records?"
"At some point, these R&B artists will get kind of sick of it and be like, 'Let me go back to my soul background,' " Hope said. "When you actually have to say something, dance doesn't really lend itself to substance. And I think that R&B artists, they really want to talk about love and in a deep way, and to do that, you need to do, like, a soul or a traditional R&B record. I want to say that it's kind of a fad."
"I think music is very cyclical," Eng offered. "So I think dance music might be here for a little bit, but I'm sure it will phase out at some point."
Wilson called dance music "the sound of today. I think that people want more aggressive, faster beats, and I think that that probably has legs until at least next summer."
What do you think? Is dance music here to stay? Let us know in the comments!
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As the 'American Idol' runner-up prepares to tour, she recalls her own fangirl moment with Bieber.
By Jocelyn Vena, with reporting by Matt Elias
Lauren Alaina backstage with Justin Bieber at the 2011 CMT Music Awards
Photo: Kevin Mazur/ WireImage
As Lauren Alaina prepares to kick off the American Idols Live! tour on July 6 in Utah, it's time for her to start imagining life as an artist beyond the confines of a TV competition. As her second-place finish on season 10 proves, she has quite a fanbase, and the tour will give them the chance to see her in person. The thought of meeting supporters had the 16-year-old recalling her own ultimate fangirl experience, meeting Justin Bieber.
"Well, I was presenting Sugarland at the CMT Awards, and I found out that Justin Bieber was there," she explained to MTV News at the "American Idol" tour press day. "And I said I that I wanted to meet him, and I guess the people that I was there with made it happen."
During some down time on the show, she was about to meet Bieber, who took home Collaborative Video of the Year with Rascal Flatts that night, but first she had to battle a fashion mishap.
"I walked up to meet him and he was doing an interview, and then I was just looking at my outfit, and I realized I had a rip in the side of my dress, so I was trying to fix it real fast," she recalled. "And then someone had told him I had gone over there to meet him, so he came up to me and was like, 'Hey, I'm Justin.' ... It just kind of set me back. We took a picture and then it was over."
Though it was brief, Lauren wasn't too disappointed with their encounter. "It was cool just to meet him," she said. "Everyone wants to meet Justin Bieber and I got to do it, so it was really nice."
While in Nashville, Alaina was greeting her own fans too. "I haven't had anything weird happen to me, it's just people recognize me a lot more," she said. "And I went to Nashville, and I got out on Broadway with Scotty [McCreery] and we were like swarmed in 10 seconds. We didn't even know if people were going to realize who we were. [And] I mean immediately, as soon as we got out of the car, they recognized us, so that was really cool."
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Brittany Lee Brittany Murphy Brittany Snow Brittny Gastineau
It's a weird week to be a teenage pop star. On Thursday, Justin Bieber got tackled by an undercover cop at Macy's in New York City. And on Friday, Miley Cyrus was bum-rushed from behind by a diminutive fan while performing her power ballad "The Climb" at a concert in Melbourne, Australia.
Both singers are perfectly okay, though both were a bit spooked by the incidents. In Miley's case, it looked like the little whippersnapper just wanted to give her a hug. A very creepy hug from behind -- but a hug nonetheless. A security guard reacted quickly, nearly knocking Miley off the stage while extricating the singer from the mini-fan's embrace. As the guard (surprisingly gently) placed the girl back in the audience, Miley could be heard gasping, "Oh my God," twice into the microphone. The guard then took Miley by the arm, and together they ran off the back of the stage. Now that's what you call a performance!
Watch the video of the interesting incident below.
Source: http://www.ivillage.com/miley-cyrus-bum-rushed-fan-stage/1-a-360477
Source: http://feedproxy.google.com/~r/RightCelebrity/~3/heFzDogGjfQ/
Superstar songstress belts 'Best Thing I Never Had' and 'The End of Time' from Glastonbury gig.
By Mawuse Ziegbe
Beyoncé performs at the Glastonbury festival on Sunday
Photo: Ian Gavan/Getty Images
Beyoncé didn't even have to be in the building to run things.
The "Run the World (Girls)" songstress wasn't able to attend the BET Awards in Los Angeles on Sunday (June 26) but that didn't stop the diva from rocking the crowd remotely by performing via satellite from her headlining gig at the Glastonbury festival in England.
Following an introduction from Ne-Yo, Bey started off with her 4 track "Best Thing I Never Had." Sporting a dark leotard under a sequined belted jacket and ankle booties, the superstar belted the power ballad in front of a packed audience waving international flags.
Bey then segued into another spankin' new 4 cut, the Afrobeat-powered jam "The End of Time." The hitmaker worked some Motherland-inspired grooves to the dancefloor-ready track, pumping her elbows and flinging her curls about, flanked by a quartet of similarly fierce dancers with big hair and snug leotards. After some muscled-up male dancers joined the party, the songstress kicked up the energy, leading the crew through a hip-twisting dance breakdown. Bey closed the uptempo set with a screen of pyro that rained onto the stage.
Earlier this month, when tracks from the star's highly anticipated album 4 hit the Web prematurely, Bey explained the inspiration behind her booty-jiggling anthems.
"When I record music I always think about my fans singing every note and dancing to every beat. I make music to make people happy and I appreciate that everyone has been so anxious to hear my new songs."
What did you think of Beyoncé's performance at the BET Awards? Let us know in the comments!
Related Photos Related ArtistsSource: http://www.mtv.com/news/articles/1666440/bet-awards-beyonce-glastonbury-festival.jhtml
Martin Freeman's eagerly anticipated prequel Bilbo Baggins turns up in character, complete with hairy feet and pointy ears.
By Eric Ditzian
Martin Freeman in "The Hobbit"
Photo: New Line Cinema via Entertainment Weekly
Although he's busy once again creating a Middle Earth-like world in the wilds of New Zealand, "Hobbit" director Peter Jackson has done an excellent job keeping fans of J. R. R. Tolkien's fantastical creations looped into the production. He's been posting photos, videos and updates on his Facebook page for months — including a few pics of himself in what appears to be Bilbo Baggins' home.
But what we haven't seen until now are official photos of the stars in character and on set. That's all changing, thanks to three pics posted by Entertainment Weekly. One image features Martin Freeman as Bilbo, another focuses on Ian McKellan as Gandalf, and the last captures both Freeman and Jackson in that familiar home.
The first photo is the one fans have been waiting years to see: a real-life representation of Bilbo himself. After all the production delays, the speculation and the rumors about the casting of the central character (James McAvoy? Daniel Radcliffe?), we finally are getting a look at Freeman (perhaps best known from the British version of "The Office") in character, complete with hairy feet, pointy ears and shaggy hair.
''He fits the ears and he's got some very nice feet,'' Jackson told EW about Freeman's portrayal of Bilbo. ''I think he's got the biggest hobbit feet we've had so far. They're a little bit hard to walk in, but he's managed to figure out the perfect hobbit gait.''
The second pic captures, in Gandalf, someone we're very familiar with from the "Lord of the Rings" series but who will be surrounded by a new cast of characters in this prequel story, the first part of which hits theaters in December 2012.
''He's in fantastic form,'' Jackson said of McKellan. ''In a way, his role in 'The Hobbit' has more technical difficulties than 'Lord of the Rings' did, because he has scenes with 14 smaller characters — obviously the dwarves and the hobbit are shorter. ... I remember saying to him [laughs], 'Look, this isn't "Waiting for Godot" or "King Lear." This is "The Hobbit." This is the real thing. ' "
The final photo takes us inside an on-set conversation with Jackson and Freeman, one of roughly a zillion the two are likely to have, considering how long the shoot will last. ''There's no way you can pace yourself for shoots like these,'' the director said. ''When we were going through the schedule for 'The Hobbit,' I felt a terrible drop in my stomach when I saw that we'd be shooting for 254 days. We're only 12 days short of 'The Lord of the Rings,' even though we're only doing two movies. When I saw that, I had to sort of pick myself up off the floor and carry on."
Tell us what you think of the new "Hobbit" photos in the comments section!
Check out everything we've got on "The Hobbit: An Unexpected Journey."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.
Related Videos Related PhotosSource: http://www.mtv.com/news/articles/1666308/the-hobbit-photos.jhtml
Chandra West Charisma Carpenter Charli Baltimore Charlies Angels
Source: http://www.mtv.com/overdrive/?artist=501686&vid=452061
Kelly Wallace goes one-on-one with two contenders in the Top Ten - Marissa and Emily -- and learns some unusual things!
Source: http://www.ivillage.com/glee-project-shaving-vampire-teeth/1-h-360390
Before signing up for Cameron Diaz's class, study up with our fun facts.
By Eric Ditzian
Cameron Diaz and Justin Timberlake in "Bad Teacher"
Photo: Sony
It's been more than a month since "Bridesmaids" slayed us at the cinema. We're desperately in need of some hard-R laughs, a few gross-out moments that make us cringe, and the reminder that as crazy as we might be, we're not nearly as loco as the folks we're watching onscreen.
Thus, we say thanks to "Bad Teacher" as it floats, on a comedic cloud of profanity and penis jokes, into theaters. Cameron Diaz stars as Elizabeth Halsey, an educator less concerned with math lessons than she is in smoking pot and calculating her way into marriage with any filthy-rich doofus. She meets the perfect mark in Justin Timberlake's Scott Delacorte, a substitute teacher and a guy so freaking nice there's got be something wrong with him. And then we have Jason Segel's sly gym teacher; even though he's got the hots for Halsey, his paycheck doesn't have nearly enough digits to entice the leggy blonde.
But all this is just the setup. The punch comes in a series of outlandish events that, if we were to reveal them here, would just spoil the fun. What we can do is tell you everything you need to know about "Bad Teacher" before hitting the multiplex this weekend. That's where our cheat sheet comes into play.
Getting Ready for Class
News of the film, penned by "Office" scribes Lee Eisenberg and Gene Stupnitsky, broke in December of 2009. Diaz had signed on, but the rest of the cast had yet to be filled out. That changed a few months later, when Timberlake and Segel hopped aboard. Though Diaz had formerly dated JT, the actress had no qualms about stepping in front of the camera with him.
"He's the best person for the job. He's going to be hilarious," she said. "He's clearly a very talented comedian; look at his 'Saturday Night Live' [skits]. He's fantastic. He's going to be so great."
School's in Session
Filming kicked off in March. Nearly a year later, a truly filthy red-band trailer popped up online, giving us a very clear idea of how truly terrible a teacher Diaz would be: "Are you f---ing kidding me?" she writes on a student's test.
While the comedy's raunchiness was no surprise, Timberlake's weirdo of a sub certainly was. As Diaz later explained to us, "He gives us a character that you have not seen yet before — not just him, but pretty much anyone. It's just a very interesting character and a lot of fun to watch. By the end of it, you're like, 'What is up with that dude?' It's hilarious."
The Final Exam
As part of our Summer Movie Preview Week, we debuted an exclusive photo of Diaz getting ready for a fundraising car wash unlike any that you might recall from your school days and also sat down for a chat with the woman herself.
"She's miserable. She's not happy with her world, and she doesn't pretend that she is," Diaz said of her character. "Her pain is real. She's living a very painful existence, so there's no humor to her in this."
Sure, she's a woman in pain. But there's also something liberating about the way she just doesn't give a hoot about anything. "I think that's why people love Elizabeth," Diaz told us at the film's premiere in New York City. "It's because everyone wants to be her, even for an hour, maybe a day. If you get away with a week — oh my gosh! I got to play her for six weeks. So yeah, it was a lot of fun."
"The first 30 pages, I'm like, 'I am not playing this. There is no way I can play this character. There [are] no redeeming qualities to this character,' " she recalled of the script in an earlier chat. "And by the end of it, I'm like, 'Oh my God, this is genius! There's no redeeming qualities to this character!' We got to the end of the script, and we're not apologizing for anything she said. It's a very modest arc."
Check out everything we've got on "Bad Teacher."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.
Related Videos Related Photos Related ArtistsSource: http://www.mtv.com/news/articles/1666362/bad-teacher-cameron-diaz.jhtml
Nothing lasts forever -- not even gym, tanning and laundry. But despite an MTV insider telling Us Weekly that the cast of Jersey Shore would be replaced by a new set of guido lifestyle experts after season 5, it looks like well be stuck with The Situation for at least a little while longer.
In a statement to Entertainment Weekly, an MTV rep has denied that the current crew -- Nicole "Snooki" Polizzi, Jenni "J-Woww" Farley, Paul "DJ Pauly D" DelVecchio, Mike "The Situation" Sorrentino, Ronnie Ortiz-Magro, Sammi Giancola, Vinny Guadagnino and Deena Cortese -- will film their last season this summer. "We love the present cast, and their summer adventures have just begun," says the rep. "We currently have no plans to recast the show."
Still, it's not hard to see why MTV might consider dumping the original cast and starting anew -- at least from a financial standpoint. The group's explosive popularity has been a double-edged sword for MTV. On the one hand, the show draws spectacular ratings, and of course that benefits the network. But their fame has also led to ever increasing salary demands. According to Entertainment Weekly, in season 2, the cast members were each receiving about $10K per episode. By season 4, the core group was earning $100K per episode. And yes, that means they earned $100K per episode to party -- and brawl -- in Florence.
Naturally, their notoriety has also made filming more difficult. It's a little harder to get into a night club screaming match, or make out with a stranger, with hundreds of fans closing in on you all the time.
Despite all that, MTV is sticking by this orange-tinted gang. And with three of them -- Snooki, J-Woww and Pauly D -- already primed for MTV spinoffs, it looks like the original gang will be hanging out well into the foreseeable future.
Source: http://www.ivillage.com/jersey-shore-be-recast-season-6-not-so-fast/1-a-360391
Blu Cantrell Bonnie Jill Laflin Bridget Moynahan Britney Spears
Them Crooked Vultures make their debut with a post-Lollapalooza set.
By James Montgomery
Dave Grohl (file)
Photo: Jewel Samad/AFP/Getty Images
Officially, Lollapalooza ended Sunday night in Chicago's Grant Park, with dueling sets from the Killers and Jane's Addiction. Unofficially, it ended very early Monday morning, across town at venerable rock club the Metro, with a surprise show by Them Crooked Vultures.
To the unfamiliar, the Vultures might seem like an odd choice to close out Lolla weekend ... until you realize that they're made up of Foo Fighters frontman/ former Nirvana drummer Dave Grohl, Queens of the Stone Age mastermind Josh Homme and Led Zeppelin legend John Paul Jones. And their gig at the Metro was their world premiere.
According to some reports, the Vultures actually turned down Lollapalooza founder Perry Farrell's request to replace the Beastie Boys as headliners at the festival, opting to debut in front of some 1,100 super-psyched fans at the Metro, rather than 75,000 in Grant Park (tickets for the gig were announced via Foo Fighter/ QOTSA fan clubs). Meaning that, in a lot of ways, this was the most sought-after ticket in town.
Taking the stage just after midnight, the Vultures — Grohl on drums (of course), Homme on guitar and vocals, Jones on bass and keys and frequent QOTSA contributor Alain Johannes on guitar — ripped through 12 songs in 80 minutes, all taken from their upcoming debut, which may or may not be called Never Deserved the Future, and may or may not be hitting stores on October 23 (early "promo" videos touting both those facts were revealed over the weekend to be hoaxes perpetrated by QOTSA fans).
The songs, with appropriately Homme-ian titles like "Scumbag Blues," "Mind Eraser (No Chaser)," "Caligulove" and "Interlude w/Ludes," sounded pretty much how you'd expect, given the band's pedigree. They rocked, hard — Chicago Tribune critic Greg Kot described them as "fresh, invigorating and just plain nasty" — delving off into psychedelic, reverb-filled excursions and exploring proggy territory, "both of the old-school Yes variety, and the more modern Tool flavor," according to the Chicago Sun-Times' Jim DeRogatis.
It's not known if Monday's Metro performance was a one-off event for the Vultures — there have been whispers of a full-blown tour, but a spokesperson for Homme had not responded to MTV News' request for comment at press time. Nor was it clear whether or not they'll have an album out in October.
Early Monday, a Crooked Vultures Twitter account, which had previously posted links to the band's official-looking Web site and the Metro's online ticketing site — posted a link to what appears to be the group's first bit of official merchandise: a Deserve the Future T-shirt. Cost: $30.
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